Tuesday, January 11, 2011

Blog Notes pg.179-189

Architecture and Urban Landscapes

  • pictures of buildings and homes in your neighborhoods, towns, and cities you create indirect portraits of people who live in them
  • can be formal or informal
  • people use elements of art and principles of design, created the buildings that make up or cities and towns
Looking Back

  • beginning architecture was a popular subject for photographers
  • Charles Negre
- artist and painter
- intended to se photographs as "sketches" for his painting but focused all his attention on his photography from that point on
  • Frederick H. Evans
-one of the greatest architecture photographers in the history of architectural photography
-large part of work focused on cathedrals in London
-depicted emotion with the use of light
-"try for a record of emotion rather than a piece photography"


Photographing the Built Environment
Thinking Artistically

  • focus on the full-view of space and emotions connected to it (portrait)
  • details of buildings/abstract
  • personailty and relationship to surrounds
  • pattern- repetition of any of the elements of art, usually a part of every image
Camera Settings

  • for 35mm f/11 to f/22
  • for large format cameras like 4x5 f/35 to f/64
  • slow films (100 ISO or less)
Film

  • black/white or color
  • color- emphasize color and settings
  • b/w emphasize values, shapes, and texture

Lighting

  • important in interior architectural photography
  • incandescent light is slight more orange
  • quartz- yellow
  • fluorescent-greener
  • daylight- lot more blue in it

Lenses

  • using wide-angle lenses- wider the lens the more distortion you get

Camera Support

  • tripods always have balance portability and stability
  • monopods, single-legged camera supports, might work for walking around and shooting details but they won't work for interior photographs

Filters

  • sky and clouds form uniform light gray shape
  • polarizer darken a blue sky to increase the separation between clouds and sky- reduce or eliminate reflections in shiny nonmetallic surfaces

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